Directed by Martin Barnewitz
Written by Jannik Tai Mosholt
Starring Neel Ronholt, Mikkel Arnot, Julie R. Olgaard, Mira Wanting
Produced by Kim Magnusson
I have to admit...the way things were going was not looking well for the material released in the Ghost House Underground collection.
It was looking like a vast array of still-steaming crapola that could only charitably be called mediocre.
But this week, we have broken the streak...somewhat...with Room 205, a Danish import that proves if you slog through enough coal
eventually you'll manage to find at least a flawed diamond.
And in this flawed diamond, Katrine, a girl who's mother has just died, finds herself moving all the way to Copenhagen to go to
school. She's found some roommates who seem at least provisionally nice, but following an ill-fated hookup with one of them,
things start to go wrong very fast. Trying to bully Katrine out of the university, her roommates use the legend of a ghost of a girl who
died in the dorm. The problem with this, of course, is that the legend is actually quite real, and the ghost in question is set free from
its prison of a bathroom mirror to run amok.
I know, right now, it sounds kind of baffling. And it is, just a little bit--one would think they took WAY too many cues from recent
release Mirrors. But it's also got some fairly creepy moments, and that gives us a bit of hope.
At first, I thought this was going to be yet ANOTHER huge embarrassing disappointment from the people who'd already brought me
SEVERAL. Watching the Danish version of The OC for the first half hour certainly wasn't a real quality bellringer. In fact, I got to
the point where I was muttering irritably at my TV, when does something CREEPY actually happen?
And then, zombies.
Yeah, I know. Sure, it was just Katrine's roommates acting like TOTAL pricks, and then the whole mirror thing threw in and things
just kept getting weirder...but still. At almost EXACTLY the half-hour mark, Room 205 will stop being a chatty, bubbly TV series
and start being a vague ripoff of Mirrors with plenty of freakishness.
Oh...and the part where the lights in the hallway steadily go out in sequence? It's been done before, but I love it. Every time I see it,
which is admittedly not often, I enjoy it. I actually wish I saw it a bit more often.
This is the reason it got three stars. Sure, this isn't the greatest of movies. But it's the best I've seen yet of the Ghost House
Underground series and I can't help but think that that merits a little extra credit.
Even the ending features a pretty nifty twist, which actually makes a LOT of sense given the events that preceded it. It'll be worth
The special features include audio options, English and Spanish subtitles, a behind the scenes featurette, director's commentary, and
trailers for The Last House in the Woods, Brotherhood of Blood, Room 205, No Man's Land: Rise of the Reeker, The Substitute,
Dark Floors, Trackman, and Dance of the Dead.
All in all, so far, this is high water mark for the Ghost House Underground series. Sadly, this still isn't saying much.
Directed by Pete Riski
Written by Pekka Lehtosaari
Starring Skye Bennett, Noah Huntley, Dominique McElligott, Ronald Pickup
Produced by Ingvar Thordarson, Julius Kemp
I've been trying valiantly to tone down the whole language bit, but frankly, there's not a whole lot of equivalents for "bastard". That
and they can say it on network TV--watch an episode of South Park and see--so I'm feeling all right about it.
Anyway, that aside, the reason I'm seething with rage is a little movie called "Dark Floors", which I later learned was subtitled "The
Lordi Motion Picture". Now, at first, when I saw "Lordi" it sounded kind of Italian, like maybe one of Argento or Fulci's
lesser-known cronies got back into the game. And the plot synopsis sure read like a possibility. Even watching the movie for the
first hour or so looked like a great plan!
But then I saw the last twenty minutes and the whole thing just buckled like someone put a cinderblock on top of a house of cards.
Basically, the plot of "Dark Floors" is "half a dozen people run around a hospital facing down random monsters that do stuff and
then people get killed off one at a time until finally parts of the movie you saw earlier run again for no stated reason."
Seriously--I was actually ENJOYING it. I had this great thing all worked out about how cool it was that the movie was mostly
brightly lit, and how you don't see that kind of thing much, and how the movie was actually kinda scary because it was so seemingly
RANDOM and then...and then the last twenty minutes came up and I was screaming, baffled, at my TV: "I DARE you to make less
This was bad enough, frankly, to make me shuffle to my computer to write up a review of two whole stars. And I was going to be
SAD about it too, because up until the last twenty minutes or so, Dark Floors was actually pretty sweet.
Then I found out what "Lordi" was.
And that's when the whole "rage" thing got started.
Because you see, what these misbegotten sons out of wedlock (see what I mean? loses ALL the impact of "bastards" because I had
to EXPLAIN it for the most part) put together was, basically, a giant vanity piece. See, what I didn't know--and likely what most of
you didn't either--was that Lordi is a FINNISH METAL BAND. In costumes that will prove unsettlingly familiar because they
SHOW UP IN THE MOVIE.
I couldn't believe it when I finally put all the pieces together. This is a giant vanity piece for some costumed freak show from
Finland. Worse, it's not even the first. There was apparently one earlier called "The Kin", which makes this the SECOND colossal
disjointed waste of time these Halloween costume party rejects put together.
The ending, like I said, is so badly disjointed that it brings down the rest of the movie.
The special features include Lordi videos, interviews, a live show, a behind the scenes featurette, and trailers for Saw V, Punisher:
War Zone, Dance of the Dead, No Man's Land: Rise of the Reeker, The Substitute, Trackman, Room 205, Last House in the
Woods, Brotherhood of Blood, and Dark Floors.
All in all, I hate this movie. The only reason it didn't get a zero is because it was actually pretty good for a while. If you're willing to
look past a horribly disjointed ending and the fact that the whole thing is just a giant fluff piece for Finnish metal, you might get some
fun out of it. I did...for about an hour.